NWT Arts

Bella believed that sewing was something done for sons, daughters, and others in need. She learned by closely observing Paul Baton’s first wife, Alina, known in Dene as Kwederide, who was highly skilled in sewing. Bella watched her carefully, learning not only technique but also the deeper meaning behind the work. She remembered how Alina would undo her sewing if she was not satisfied, even when it appeared well done. When Bella asked why, she was told, “Girl, don’t say that,” and was taught that everything must be made properly, or it would not last. This lesson stayed with her throughout her life.

In earlier times, Bella practiced embroidery as the main form of decoration, and later incorporated beadwork into her designs. She was supported in her learning by many aunties who reviewed her work and guided her on how to improve. She valued the role of family in teaching and believed strongly that learning and knowledge were meant to be passed down through generations.

Bella understood sewing as an essential part of life and community. She took pride in seeing the next generation carry these teachings forward, especially her daughter, who learned to sew for her own family. This continuation of knowledge brought her great pride.

Bella created throughout her life, guided by the teachings of her mother and others in her community. She drew inspiration from the people and traditions around her, and her work reflected her dedication, skill, and deep cultural connection.

Bella’s legacy lives on through the knowledge she shared and the traditions she helped preserve.